When I first starting writing, I read everything I could about the craft. Many of the books suggested that writers cut their teeth on short stories. Short stories allowed a writer to learn the craft and build up publishing credits. Like many “novel” writers, I had no interest in writing short fiction. I wrote short stories after I graduated from high school, but once I finished my first novel, I saw no need to pursue the craft. I pounded out several novels. One even managed to interest a couple of agents back in 2000, but publication eluded me. I took several years off from writing. In 2007, I decided to try my hand at writing again. Of course, I plunged into a novel, after all, why waste my time with short stories?
After finishing the novel, I entered it in the Pacific Northwest Writer’s Conference contest. I was shocked when it made the finals. But I knew in my heart that I could do better, and so I decided not to market the book. Instead, I started working on another novel. Then something happened that made me reconsider my position on short fiction. We had a visitor to one of the local writer’s groups I belong to and as the leader of the group went around the table introducing everyone, he gave a brief history of their publishing credits. Of course, when he came to me, there was nothing to say. Self-doubt took hold. If I was any good at writing, why didn’t I have anything published? I felt challenged to get a short story accepted. My goal was to have six stories published within three years.
The first thing I did was sign up on the website Duotrope. I spent several days researching various publishers. I concentrated on publishers of horror/paranormal stories, with the idea that I would branch out into mainstream later. In January of 2010, I was still working on a novel, so I decided to make the weekends my time for writing short stories. Toward the end of January, I received my first acceptance. 69 Flavors of Paranoia wanted to publish my story, “Dark Justice,” a detective story in which the detectives are actually vampires investigating the murder of another vampire by a priest. Maybe, just maybe I told myself, I am not a bad writer after all.
To my surprise, more stories found acceptance. In June, I read about Justin Cronin’s novel, The Passage, a vampire tale set in the future. I noticed that Mr. Cronin had some success writing mainstream novels. I read an excerpt from one of these, “The Summer Guest,” which takes place on a lake. As I read the excerpt, an idea came to me for a short story about a vampire who retires at a secluded lake. That evening, I wrote the first five pages of “Mr. Howard Retires.” I finished the story the next day, and after giving it a quick once over, submitted it to three publications. The following morning, I received an email from one of the editors at Bewildering Stories. He thanked me for sending the story and said that it could take up to eighty-four days for them to make a decision. Two hours later, I received a follow up email from Bewildering Stories saying they had accepted “Mr. Howard Retires” for publication.
The rest of my year followed a similar course. I submitted a mainstream story to a literary website, Amarillo Bay. I received an email from one of the website founders saying he liked the story and had forwarded it to their fiction editor who would make the final decision. He ultimately rejected the piece. This only made me more determined to get a story accepted by Amarillo Bay. I came up with an idea for a story about a transgender cowboy who now worked as a waitress and struggled to find her place in the world. I targeted this story to Amarillo Bay and was overjoyed when they accepted “Amsterdam” for their November issue.
By years end, I had thirteen short stories accepted for publication by thirteen different publications, including three based in England. Do I recommend writing short stories for novel writers? Absolutely. My short story success has restored my confidence while giving me something to write about in that dreaded query letter.
